Unaware: Creative Critical Reflection


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Movie Conventions Blog: Knives Out

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                  This movie contains many close-up shots on individual  character's faces. Usually mystery movies consist of close-up shots to show facial expressions of the character. Typically fear, anger, and sadness are the emotions showed. However, In Knives Out, the characters tend to have confused facial expressions because they clues they run into do not make sense to them. Also, the diegetic sound in this film is similar to traditional mystery movies because of the startling ambient sounds. For example, when the detective is walking through the house, the floorboards creek and clock ticks loudly.                     I really love the low angles in this movie because it shows me which characters are the powerful ones. Normally, low angles are used to portray superiority in a villain but in this case it can apply to the detective. Also, the establishing shot at the start of the mo...
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comparing Le Jetee: the short to 12 Monkeys: full length movie

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  Part 1-  The main takeaway of the video is what goes into making a good film.  Editing and filming are required for the audience to understand the story.  The video talks about how the film was made and how it was meant to show what is happening.  Editing is important in movies in general.  The pictures put in allow for a clean effect for shots.  The shots and reverses allow us to feel the film.  Long shots allow the audience to better see the film.  The audience was given more time to study the pictures.  The images are each their own story. - How can we better represent situations and emotions in our film?  This film goes back in time in a straightforward manner for the audience to understand everything.  Audio can also be used to enhance the video. A group of monkeys want to find a solution to a problem.  This generates a sense of curiosity in viewers.   Towards the end of the film, the pace of the film increases...
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short film research: Double Happy/ Drama

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    If I had to pick one feature that distinguishes Double Happy, it is its keen observation of children—their shy gestures and bold dares, as well as the strange sociology of their group dynamics—the constant and fluid shifting of in-group and out-group designations achieved and enforced through secrets and put-downs. Even when you care, you can wind up stomping on each other at this age due to basic inexperience, fear, and carelessness. Rory likes Rebecca, and we get the impression that she reciprocates, yet Rory is a misfit, and the crises this produces can be seen on Rebecca's face.  While he has a thoughtfulness and talent for craft that will serve him well and make him interesting later in life, he currently has companions, particularly the other lad, Des, who are attempting to tear him down in order to demonstrate supremacy. It all adds up to an amazingly clear and nuanced image that Daud is able to create, as Rory's denigration is built up slowly and methodically ...
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