short film research: Double Happy/ Drama
If I had to pick one feature that distinguishes Double Happy, it is its keen observation of children—their shy gestures and bold dares, as well as the strange sociology of their group dynamics—the constant and fluid shifting of in-group and out-group designations achieved and enforced through secrets and put-downs. Even when you care, you can wind up stomping on each other at this age due to basic inexperience, fear, and carelessness. Rory likes Rebecca, and we get the impression that she reciprocates, yet Rory is a misfit, and the crises this produces can be seen on Rebecca's face. While he has a thoughtfulness and talent for craft that will serve him well and make him interesting later in life, he currently has companions, particularly the other lad, Des, who are attempting to tear him down in order to demonstrate supremacy. It all adds up to an amazingly clear and nuanced image that Daud is able to create, as Rory's denigration is built up slowly and methodically ...